Shorthand Sketches

I had reason to sift through my many Moleskine sketchbooks in search of little landscape roughs this week. I usually carry a pocket Moleskine around with me on my walks and often stop to scribble something down. It's never anything wonderful, just a form of shorthand, catching the design which I've spotted in a part of the landscape.

I understand my notes, though I don't know if anyone else would. Very often I'll draw them in a frame. Even though I've only started lino printing again recently, I've never stopped designing print ideas, knowing that one day I'd find time to recreate them. Some of them are very small indeed - this one below is about 5 cm/2" wide;

Sometimes I can *see* a whole colour print as I sketch and make notes accordingly.

Sometimes my notes come right out of my head and are so garbled that not many people except myself could work them out.

This one below is actually an idea for a decorative mount with corner vignettes - hot air balloon (really) in the top left corner, lost balloon in the top right, trio of trees bottom left and solitary house bottom right with winding path. It is the crudest of notes, but to me it makes perfect sense. Had I not quickly jotted it down, I would have forgotten all about it.

At other times - if I am waiting for something - like a bus - l can be painfully neat. All the observational drawing feeds into doing believable imaginative work.

These notes have turned into more stylised designs - it's like banking ideas for a future date.

Even if they start out quite realistic.

Here's a more natural sketch, but still making a feature of the curved frame the old beech tree trunks make.

I can often remember the exact moment I drew something, and what the weather was like, even if the sketch is many years old. These were drawn from life but with a definite view to make into lino prints.

I used to be painfully shy about my rough sketches, many years ago, but now I don't care what anyone else thinks - scribbles they may be, but their practical use is just a first step towards the finished product and for that reason, they are priceless to me.

Puddletown Moleskine prelims

First Puddletown ideas 11 Feb 2009

(All pictures can be viewed at much larger size by right clicking your mouse)

Goodness Heavens! I was completely overwhelmed at the amazing response to my little book announcement - and so touched to read such kindness, from 'old' blog friends I feel I've known forever, to all of you who commented for the first time and new followers. Thank you does not seem enough, but thank you all so very much anyway!

First Puddletown ideas 11 Feb 2009

It has been a hard secret to keep; I had my first meeting at Templar in February 2009, where it was loosely proposed that together we should create this little world (it didn't even have a name then). And as it was a new approach to all of us, creating models which would fit in a pop up scenario, there was no definite book offer. I simply went away and did some brainstorming in a little Moleskine.

First Puddletown ideas 11 Feb 2009

All I was required to do initially was draw whatever I felt would be in the world, so I set to work First I did little craft ideas for possible scenery and props, (at that point we knew there would be needle felted toys, but not how much of the rest of the book would be physically 'made'). Here I drew several toadstool and fungi models, of which one was eventually chosen to be made for the first book.

First Puddletown ideas 11 Feb 2009

A good many trees and landscape bits were drawn. One tree made it to final production.

First Puddletown ideas 11 Feb 2009

To begin with, I only made a few small 'props' - we didn't even have the main characters then, though we were certain geese would be a main feature. These props and a few toys I lent to the Templar sales team, were packaged nicely as a proposal to show at various book fairs. If feedback was good, I would hopefully get commissioned. If not...

First Puddletown ideas 11 Feb 2009

I also had to design some 'backdrops' and scenery settings. I have to confess, this was the easiest and most enjoyable part for me, l could draw little, lonely landscapes - well for a long time! I only ended up painting one of these.

First Puddletown ideas 12 Feb 2009

Still not decided on story lines, we juggled various ideas - here we have Custard eating trifle at a party he was afraid to go to. Eventually elements of this ended up in the second book 'Peggy's Lost Pennies'.

First Puddletown ideas 12 Feb 2009

More unused landscapes - who knows if they will also make a later appearance?

First Puddletown ideas 16 Feb 2009

This is the first sketch for what would become a much larger and slightly changed artwork that does feature in 'Mrs Mouse's Cupcakes', the background of the first spread.

First Puddletown ideas 16 Feb 2009

I never did get to make this sun - I've always liked the idea of suns, moons and stars hanging tenuously from a thread. In fact, nearly everything I drew in this batch of sketches ended up 'on the cutting floor' and you just have to be thick skinned about it. People often refer to producing a children's book a being 'a dream', but the reality is that it is a business, it is a job, and ruthless editing is often necessary to create something saleable for the market place.

First Puddletown ideas 16 Feb 2009

Of course, these were just the start of a much larger body of work needed, once we had two stories figured out.