1.1.23
New Year Return
7.11.21
The snail emerges
So, here we are already in November and I’ve been away from here for some time. But, like a seemingly deceased snail that slowly pokes its head out of its shell unexpectedly, it’s time to surface again. There are so many things I have to do, that I get overwhelmed and then tired and then guilty for not having more energy, more organisational skills, something more interesting to say. And then I wonder, would anyone notice if I disappeared from here? But, like the aforementioned snail, I creep on, feeling the weight of my shell and resisting the urge to hide away forever in it’s safe, dark coil.
I’ve been catching up with the many things that were neglected when my book took precedence over everything. I’ve painted and felted, drawn and designed, rested and read and had the odd bit of socialising.
There is a mythical part of my future where I am caught up with everything - all my shop stock listed, all my Patreon pledges up to date, all my ideas down on paper and having something original to say every day for the wheel of social media that never stops turning. But for now, I will be content that I have raised my snail head, said hello to my dear old blog and slowly slither on.
9.5.17
Heads up!
It's been nearly ten years since I picked up a felting needle and created my first little rabbit. Since then, I have created countless animal and bird designs, mostly to sell, but also for magazine and book patterns. Not to mention easy projects for workshops. And to be honest, I came to a temporary halt with it all. Just after Andy died, four years ago, I had to apply myself to writing thirty simple patterns for my book and since then, I have struggled to come up with anything really new that excited me.
Add to this that needle felting has exploded in popularity and there are thousands of 'cute things' being offered up for sale, often at ridiculously low prices that I cannot compete with. And I do have to try to make a living somehow. Business says that when something isn't selling anymore, it's time to switch up and change.
So I've been slowly working through a design process, as I was taught to do when I was an art student. While I've had to jump out of my comfort zone to some extent, I am also going back to ideas I had many years ago. I have watched the craft of needle felting grow over the years, and I now want to move my own work upwards.
I started out last year by making copies of antique ceramic Staffordshire animals , but they are incredibly time consuming and although they may seem expensive, the prices still don't reflect the 40-50 hours of work put into them. And as they are as exact as I can make them, there is no room left for imagination.
Then I started looking at antique milliner's hat stands, which are simple 'heads' made of painted papier mache; I found myself inspired again. I began my first head a few weeks ago and it was a welcome challenge.
The first one, 'Charlotte' was made very much in the traditional design and I have to admit that simple as she looks, it was a steep learning curve and a return to my art student days to remember how to construct a face. As you can see, it's a miniature version of the real thing, which would have been life sized.
The next two heads, 'Amelia' and 'Cordelia' were also in the traditional folk style. With these first three heads I tried to emulate the flat, painted effect of the originals.
The next challenge was to make a male head, 'Mr George' the strong man and I started to move away from the flat paint effect, with a raised quiff.
'Eloise' indulged my love of all things 'Versailles'.
And by the time I made 'Emily', I had gone off the path of the painted effect and was already planning my next series of heads.
If you're an artist trying to scrabble together some kind of living, it is a huge thing to change your known products but it's a risk I have to take. Times change and I'm a different person to the one who made that sweet little rabbit back in 2008. My life is also 'another country'.
In the meantime, animals and birds are beginning to creep back in. It was probably inevitable.
31.3.17
Kittens with ruffs
1.11.16
Spotted Staffordshire Pig
23.6.16
Needle felt tinies and new workshops
I started a new and very 'grown up' line of work this summer, but it is under wraps until I have several pieces. Suffice to say, I am stretching myself at last.