Silly bunny scribble

It's been nearly four years since I last did any watercolour painting.  Last time I looked, my trusty collection of tubes, which I'd collected over many years at some expense, were in a sorry state and many old friends had dried up. Unable to afford to replace them, I looked around for a cheap way to get going again. 

And I found these nice little sets - Koh-I-Noor palettes. They are dry blocks, which I haven't used since college. I subsequently began using good quality wet tube paints, which I found better for large washes. Like my old college paints, they are a bit chalky. But this set of 36 colours cost very little, the pigments are reasonably bright and they stack oh-so conveniently. Thankfully my brushes had not deteriorated.

I bought a cheap A6 sketchbook, so that it didn't matter what went in it. And after much anxiety and procrastination (really) I did eventually get started. I knew it was going to be a bit rubbish, but I did get my painting brain ticking again. 

Admittedly, it wasn't the best paper for washes, but it was less scary than stretching out a sheet of the HP Arches I usually use. And after all, it's just to get me going again.

So I painted one of my bunnies, miraculously remembered my old techniques and finished it off with a sense of relief. One down, many to go.

The bunnies didn't say anything. They just gazed with their little beady eyes. 

They were obviously reserving judgement. 

BOBTAIL BUNNIES FOR SALE ON ETSY

In revenge, I am selling them via my Etsy shop. So if you want your own silent bunny, they are £30/$43 each, with free shipping anywhere. Yes, anywhere. 

Oxford July workshop announcement

While I was down in Oxfordshire holding my last workshop, I visited a potential new workshop space. This is in an area just three miles outside of Oxford itself and somewhere I been past countless times over the years I was living here. But never ventured inside.

This is the little lane which leads to Hill End nature reserve and activity centre. It's been here for decades, educating and encouraging children (and adults)  to enjoy and appreciate the great outdoors. 

I was met by my contact, dosed with coffee and then shown my potential workshop spaces. First was this nice fat barn. 

It was very spacious and light, and I did consider using the cosier overhead gallery. But decided that it was just a tad too big for my needs.  

Next was another nice conversion, again with lots of light flooding in and it was almost right...but not quite.

We walked a little further, past some Hill End sheep. Hill End is situated on the edge of Wytham Woods, which has been shown many a time on the Inspector Morse and Lewis series. 

Did you spot the giant wire toadstool in the background? No? Look - 

It was here that I found my new workshop space, a little cottage which has been converted into a study and classroom area. As there was a group already inside, I could only take a photo of the outside, but I have been assured that it is quite light and comfortable. And it does look delightful. 

So I took a deep breath and booked it. This is the first workshop I've organised entirely on my own and it's a bit of a gamble. I am not sure yet what we'll be making. However, it is going to be an all day workshop, costing £55. There is no cafe on site, so it will be a 'bring your own' lunch affair, which if the weather is fine, can be eaten al fresco. I will endeavour to supply cake and there are drink making facilities.  

As I'm yet to decide on the subject matter, it isn't up on my website yet, but please contact me at gretelparker@yahoo.co.uk if you'd like to book early. One space is taken already! Oh and the date of course - July 9th 10.00 am until 4.30pm. So you get plenty of teaching and making time.

If you're too far northwards to consider Oxford, there are still a couple of spaces left on my Spring Bunnies course, on April 30th - click here for more details. 

Running hare with amber chips on Etsy

The delightful online style magazine Bibelot have interviewed me - most of the questions were of a needle felting nature and I found several old archive photos of old work and of more recent designs such as my hare and amber dangle. But a couple of questions were a little more personal. You can read all about it on their blog here.

Chickens not almonds

Last July I was introduced to whittling - a craft which I was somewhat apprehensive of. Especially as it involved using an electric saw to cut out the basic shape. I came away with a stick of lime wood. It was put on the kitchen side, gathered dust, was moved around quite a lot over the months and never got used. Because I don't have an electric saw and although Brian next door gave me a little coping saw, my history of hand cutting wood is not one upon which I wish to dwell. 

However, when I was back in the Cotswolds, running my last workshop, I stayed with some old and dear friends, one of whom is an antiques restorer. And he has tools. And a big electric cutting saw thing. I had brought my stick with me, in the hopes that he would help me cut some whittling shapes out.

And bless him, he did. We went to his workshop, which is just a little paradise. 

Full of jobs in progress and treasures he has collected over the years. 

Not to mention an immaculately tidy workbench. I do like a good work bench.  

As it happened, I didn't have to get to grips with the large band saw, for which I was grateful. 

He kindly cut out all my little chickens for me. Yes, they are all the same shape; my theory is, that if I practise on the same thing a few times, I may eventually learn something. And yes, to answer another question, they ARE chickens. Really. 

I have finally started one off, with the nice and ever so ouch-sharp Swedish whittling knife which Joe bought me for my last birthday. I can't say as my skills have matured since my last attempt, but let's celebrate the lows with the highs. 

If I sound a little defensive about them being chickens, it may be because 'someone' (Joe) said they look like almonds. Or livers. I think they are patently chickens. Because look;

Many fat chickens do look somewhat almond shaped, do they not?

Well I think so anyway. I'm sure once I've got the eyes on, it will (sort of) resemble one of these. Or maybe not. Wood carving is not something which comes naturally to me, and yet I feel strangely drawn to persevere with it. Because I love using tools and more importantly, I won't be beat. 

Little Houses workshop

Oh where did February go? It ended with my first workshop of the year, a return to Folly Fabrics in Bampton, to hold a 'Little Houses' workshop. I was lodged for the night with the lovely shop owners and I took a jar of Joe's delicious blackcurrant jam as a little thank-you gift. So breakfast on the day was homemade bread and jam. And enough coffee to shake the cobwebs from my brain.

Then off to the shop, to set up. This is the calm before the storm.

 

It's always a full house at Folly Fabrics and I had a lovely mix of returners, some ladies who had seen my latest 'Mollie Makes' cover last year (and traveled a long way from 'down south' to attend)  and a blog friend, from 'Tales from the Weekday Home' - it was really fabulous to meet her in person at last.

While I was staying with Joe, I knocked up this little prototype, so that people had the option of making that or creating their own. Everyone got to work.

And that was it for four hours. Towards the end, the customary cake came out. Don't be deceived by it's innocent simplicity; this view hides the one inch thick filling of chocolate buttercream.

 

I can't remember a workshop where there wasn't a cosy mix of wool, cake and mugs of hot drinks.

Meanwhile, my friend the shop owner, had been quietly making her own delightful  little Scottish croft in the background. It's finished off beautifully. I have bit of a 'proud teacher' feeling about this, but it's mostly down to her own patience and persistence.

So, that was it for February. My next workshop is in Manchester, on the 30th April, with limited spaces, which are filling up; we have just four places left and bunnies to make. If you'd like to come, the booking form is here on the 'Make It  website.

Strawberries and bunnies

Ah, the slight awkwardness of work getting in the way of life and blogging. Work continues and not much else. Several days spent developing a new teaching, pattern and with that in mind,  I have organised a new workshop for them, which is to be held on the 30th April at 'Make It' in Manchester which is already booking up after two days and only a few spaces left. You can book directly through the site here. The bunnies and I will be pleased to see you.

What else? Oh, putting together my first basic needle felt kit, which I should have done ages ago, considering how many times I've been asked for them. I looked at similar starter kits and in some cases was appalled at how little wool was offered, for the price charged. So I have tried to include as much as was physically and economically possible in mine, as well as a sponge mat, pack of decent needles and a wooden holder. 

And at last, my February newsletter is out, with a free and simple pattern for making sweet little strawberries - these only take a small amount of wool, and a few hours (in my case) to make, depending on how wild you go with the decoration. There's also an article about a very odd and as yet unfinished piece of work...you can get the newsletter and pattern here - without even signing up. 

Apart from that, I appear to be surrounded by many small, unfinished things. Such is life.

Yet another hare

Nothing going on, except a lot of planning, designing and unfinished work - here's a little something I have actually completed, with amber chips on a bronze wire. Yes, it's yet another hare. Well, it is nearly Spring!