Christmas Greeting!

A couple of months ago I was given a quantity of letterpress equipment and two small presses (well, one was given, and I exchanged a painting for the other). A lovely gentleman wanted shut of it, but it needed to go to a good home. I heard about it through the grapevine and within minutes had bagsied it. Andy's parents were kind enough to lug it all down from the North, and their car just about survived...we unpacked the two presses, one 8x5 Adana, one (phenomenally heavy) hand proof press, four full size trays of typefaces, (Gill San and Times) and some empty ones, a little cabinet of small type, (more Gill, Times, Spartan and some yummy 14pt Rockwell Shadow) a bundle of print magazines, various vital odds and sods, boxes of this and that, quoins, chases and other mysterious gizmos and I looked at it all and thought - oh dear...

It may seem somewhat reckless, considering that we live in an already overcrowded small workman's cottage - but I have waited a long time to be able to have my own printing studio, even if that means fitting it into the everyday fabric of our limited living space...I soon had it tidied away and part of the 'furniture', if you will pardon the pun (nerdy type joke). Actually, if I am in confession mode, I have been collecting random bits of type and woodblock for some time, with the vague dream that I might be able to use them eventually. Some people have a shoe habit. I have a letterpress habit. It's cheaper and more fun.

Actually, I think my Adana looks rather picturesque sat in the window, next to the slow ripening tomatoes. (On the elm table which is also in the window because I bought it for a tenner and then didn't know where to put it...)

But I have not had time to play with my toys - it's the usual thing of making time, and I haven't done any typesetting since 1993. Last night I realised that Andy's late shifts were the perfect time to take over the downstairs room, where my bits and bobs are stored. So I began hauling it out from various hiding places...although the proof press, on the table, is now a permanent fixture and when it is not in use, we put two bowls of fruit on it. (Seen here on the hearth in the background).

I intended to start something simple. Maybe some Christmas tags for my Etsy shop, using these newly acquired blocks, one of the best bargains I have ever had on eBay.

So I started with an easy 2 bit design which took mere minutes to be locked in and ready to go...(in case you were wondering about the rather poor joke earlier, the blocks which fill in the gaps are called 'furniture)

For a couple of hours I fiddled about with the Adana, but couldn't get a clean print. I stuffed bits of card under different bits, wedged the platen with extra wadding and rearranged the blocks. But for whatever reason, although the press was working sweetly, I couldn't get a decent result. So I moved on to the proof press, which, unlike the Adana would give me indentation as well as printing.

Using an old catalogue as a pad, I finally got an acceptable result. The only drawback is that the blocks have to be hand inked with a roller. However I seem to have retained a few basic skills from my younger days, and this proved to be no problem after a few gos. There is something rather wonderful about bringing dormant type back to life. By the time Andy was home, everything was put back to bed and the room smelled vaguely of white spirit.

Today, when they were dry, I snipped, sliced and clipped until they resembled more or less respectable tags. Then I realised I hadn't got a good hole punch...I have since found one on eBay, but with rampant postal strikes bringing small businesses to their knees, I don't expect it to arrive for over a week. (I have also learned not to use the Adana on the coffee table, because it gouges big scratches in it...oops...)

And a singular Christmas Greeting to you too. (No, I don't know why the left creator of this block the 's' off either).