Showing posts with label Gretel Parker. Show all posts
Showing posts with label Gretel Parker. Show all posts

6.8.12

Affordable art





It's been a long time since I had any artworks for sale at roughly £25 ($39) - these are small sweeties,  4 inches squared, in 6 inch square bevel cut mounts.



TOPIARY 1  (SOLD)

  This topiary one is my personal favourite. Anything with a house in!


 

Wheelie Goose 1 (SOLD)

Although geese run a close second. The next week is going to be spent working on one of those 'proper jobs' which I'm not able to talk about yet. But which is very exciting! 


 
 Kitten 1  (SOLD)

20.4.12

'We are Siamese'


One of this month's completed orders.

 


 Isobel and Phoebe  - best friends forever.



 


Pheebs and Izzy to their friends.




13.4.12

Mollie Makes & me!




Doglets ahoy! Issue 13 of Mollie Makes hits UK shop shelves today - I've had a fantastic response from subscribers so far (who got their copies last Saturday). I feel a bit greedy, as the lovely Mollie Makes team gave me a lot of pages - as soon as you open the cover the sweet story begins - and how beautifully they have presented my little dogs - I felt as if I was looking at someone else's work.



...and in the contents...





...and six sumptuous double page spreads after that, with my step-by-step guide to making your own doglet - people, I sweated over that pattern, so it had better work! And yes, those are my fair hands demonstrating the steps.





The basic doglet design is an old favourite - I made my first in the third week of my discovering needle felting, over four years ago. He was called 'Petite Jaune' and he went over to live in Europe.



Soon after, I tweaked the design and made 'Custard', who went to live with the lovely
Donna Flower.





Three years ago, I did a limited edition of 'Buttercups' for my only stockists, Teddy Bears of Witney. Sat with his back to us with his friends.





Finally he appeared as Custard again, in 'Peggy's Lost Pennies'.




And now here are his baby cousins in my favourite magazine. I've loved Mollie Makes since issue one - I had an inkling it would be an instant hit (it sold out within a couple of weeks of launch). They have successfully created a gorgeous, approachable magazine which taps into the whole crafting/blogging/lifestyle world in a way that really works, and I admire them for that. Confession - from issue one, I had a burning desire to do an article for them, but I never imagined I'd be asked to do the cover.





I'm not only selfishly pleased for myself, but also that it helps bring needle felting into the mainstream; a few weeks ago I had a needle felt book proposal rejected from a large UK craft publisher on the grounds that needle felting was 'too niche'. I have only one word to say to that - WOOF!



So, here's what you need to know if you want a copy - it sells really quickly, so hurry! It's available in most WHSmiths, some Asdas, Sainsburys and many independent craft shops. The stockists page can be found here, also with international outlets listed. It's also available as a digital download here, if that's your preferred method of reading.

Mollie Makes have five copies of 'Peggy's Lost Pennies' (in which dear old Custard appears) to give away, and you can enter the contest here.


Link

Oh yes, nearly forgot - I'm at the Winds of Change Gallery in Wincombe tomorrow, Saturday April 14th, 11am till 4.30, demonstrating needle felting, if you're in or around the Cheltenham area. My Puddletown toys will be on display, so come and say hello!

30.1.12

And breathe...



So, my first workshop seemed to go well. I arrived with enough time to have potter round Bath - (didn't do the
Roman Baths, as too expensive for me, at nearly £13 entrance fee). I did enjoy the spectacular Regency streets and people watching.



Found a little market shop with, oh, look, ribbons! (Well, of course I bought one or two little bits...)



I stayed in a lovely house with super hosts - Lynne and Michael, who make exquisite collectors dolls - and was given the top room with views over the city - that large lit up building is Bath Abbey.


The view in the morning - Bath Abbey just viewable to the left above the foliage, if you right click. (Need I add that in a house filled wonderful toys, old and new, I was in my element!)



We travelled to another house for the actual workshop. I had nine well experienced crafters to oversee - they are all highly competent in their own fields, so didn't need bottle feeding. However, just to get them warmed up, I did set them my elementary challenge, which was to make a sphere - more difficult that it seems. Biscuits were necessary. Only one or two needles were broken.



After that, although I had my ducky design ready for anyone who wanted to try it, nearly everyone was keen to do their own ideas - something I very much encouraged, as I wanted them to discover their own needle felting 'voice', rather than simply copy something of mine. And by mid morning, a happy silence had descended, broken only by the sound of a multitude of needles poking wool.



The view from the room we were working in was incredible - with a canal and a train track disappearing into the distance. Somewhere in the distance, the
Westbury white horse is visible but my camera couldn't quite pick it out. (Nor could my bad eyes!)



I prowled around, on hand if anyone needed help. But on the whole, everyone was in their own happy little needle felting world.




One thing which was noticeable was the dawning realisation that it is a v.e.r.y s.l.o.w process. It can literally take hours for a small piece, depending on how finished the artist wants it. I did have a little '
welcome to my world' moment. But, by the end of the first day, many had finished their projects.


Here we are on the second day and my toys have been joined by a wonderful dodo. Meggy goose looks somewhat startled, Kitty Blue is leaning closer to get a better look, and Mrs Mouse is so flustered by all the excitement that she has decided to concentrate on mixing up her cake.

Sally, who kindly hosted the workshop is the dodo creator and her second piece was to be an elephant. During our lunch break, she showed us videos of her charity in Zimbabwe - who's vision is, to quote - "to prove that wildlife can live in harmony with people in communal farming areas. In doing so we want to improve, through wildlife conservation and tourism, their impoverished life of subsistence farming".



Once a year the camp holds an 'eco- education camp' for the best achieving school children from the four schools that they are involved with - one of the most cherished prizes is a book. Watc
hing the joy and reverence of the lucky prize winner, as they looked through their book, brought tears to my eyes - a salutory reminder of how lucky we in the western world are, no matter how poor we think ourselves. I was very glad that some of the proceeds of our workshop went to this charity and will be keeping my eye open for the official website - meanwhile, even basic school equipment such as a jiffy bag of pencils, pens, erasers, rulers, geometry equipment etc, are in short supply and are always welcome. (If you'd like to send something directly please contact me. I will definitely be sending something out.


Carolyn here is making a giraffe and was a very fast worker - by the end of the day she'd almost finished and got a nice, smooth finish.

On the second day, Heather volunteered to try my duckling. Heather is a highly skilled professional beader and bought some of her intricate, beautiful work to show us - she also writes books about beading and has a lovely site selling kits, beads, her books and news of workshops, which can be
found here. And she has a blog too, always nice to meet another blogger in person.



It was, all in all, a lovely two day session. As will happen when you get several women together, we put the world to rights several times and there was a pleasant buzz of conversation, much laughter and the occasional intense debate - no wonder quilters call them 'bees', with the hum of chat and industrious hands.



Between the two host's houses, there were nine cats, and everyone was a cat lover. Here is Merlin, a noble Abyssinian, inspecting Meggy goose and investigating biscuit plates.




'Class of January 2012' with their work - didn't they do well?




I was so proud of them all. Even those who had started off with little or no needle felting experience had created their own design, a little wool sculpture unique to them and everything looking recognisable - even two little duckys in there.



I had marvellous time and was treated superbly, but I have to admit that I am a homebody and it was wonderful to be picked up from the train station and whisked back home to our small but tidy cottage, (well done Andy!) dozing cats, the woodburner toasty hot and my favourite meal ready for me, with a bottle of chilled cider. There is nowhere quite like home, is there?

18.2.11

A secret revealed




At last I can let out my breath; I have finally received my advance copies of the most exciting job I have ever worked on. And work it certainly was. Blog followers who've had the patience to stick around this quiet place might remember that I spent the first half of last year working on *stuff* which
rendered me an exhausted hermit. And here is the first fruit.




Yes. My needle felt toys now have their own little world, 'Puddletown Tales', published by
Templar UK. It has been over two years in the making; one year of waiting to hear if the books were going ahead, six months of creating them and then a long, slow wait for the first copies to arrive this week. Regular readers may recognise the mouse on the front, a bit altered from the original.



Dear Andy has looked after me for nearly twenty years. We aren't married, but we have stuck to each other like glue and he has been there for me all the time, solid as a tall oak tree. It hasn't always been easy, especially during the ten years when it seemed as if I would never get a break. Without his support, this book may not have happened. So this first *all me* book is dedicated to him. There is also a beautiful introduction composed by Hannah Wilson the editor.




Friends will know I adore silhouettes. They aren't terribly commercial, but Janie the designer (who shares my love) squeezed one in as the Puddletown logo - naturally, a goose. Although this first book has no geese in, long time readers will know that I have a 'thing' about needle felt geese and they star in the
next title.




The first spread is flat. Every penny counts in book production and we had to choose between having the multi-layered cover (expensive) or five pop up spreads. So one pop-up scene was sacrificed to pay for the simply gorgeously produced cover.



Quite often I unconsciously drew on familiar home surroundings to create Mrs Mouse's little home.




The actual book design was put together by my friend and designer Janie. All the artworks were done as spots or separate layers and the needle felt characters photographed in-house at Templar by William Steele. I did enjoy making the cupcakes!




Thankfully in these days of Photoshop and digital magic, single items can be manipulated and reproduced, saving a lot of work.




I was allowed to more or less indulge myself to my heart's content, which (as my fellow professional illustrators will know) is quite a rare and wonderful thing. The cake which Kitty Blue is pulling is just one example.




And of course, there had to be toadstools of some kind, illustrated and needle felted. ( am a very
keen mushroom spotter and sometime gatherer).




There are a few little 'in-jokes' in the final spread.




For instance, this little picture of trees by moonlight...






...is *rather* similar to one we have hanging on a beam in our own tiny cottage.




It's a photo of a mixed media/textile illustration I made an awfully long time ago at college in 1993.





On this side you can see a grandfather clock which has a tiny wooden mouse on one side, referencing one of my favourite furniture makers,
Robert 'Mouseman' Thompson.




And to end with (you will be relieved to hear) a cheeky nod to my own Red Flannel Elephant Designs logo, which anyone who has bought my cards or toys will recognise.





Thirty one years ago, a sad, angry and very alone twelve year old orphan stood under a favourite tree. Her parents had died, one after the other, in the space of a few months - her mother had passed away at Christmas. Now she was off to a strange new foster home - God help her, she didn't know then that it was to be as unkind as it was.

She stood under that tree, looked at the sky and whispered 'I will become an artist for you Dad and a writer for you Mum'. She swallowed the many tears that she couldn't bring herself to shed and walked off to her new - and very uncertain - future. Well Mum, Dad - it took three decades, but I finally got there. For you. With cupcakes.